All Our Yesterdays by Natalia Ginzburg PDF

By Natalia Ginzburg

All Our Yesterdays is a unique set in Italy from 1939 to 1944. occasions like a relations quarrel or an infidelity tackle an value equivalent to that of the battle, as though to claim that adultery and air raids will be both damaging.

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No sé cómo explicar esto, pero la terquedad de la industria editorial en idioma inglés parece inconmovible e inmutable. A pesar de la importancia que las obras traducidas puedan tener para los lectores y los escritores, para la mayoría de los sellos ellas no son de interés imperioso. Con frecuencia, de hecho, las traducciones son desalentadas de modo activo. Pueden ser comercialmente exitosas (como en los Estados Unidos El nombre de la rosa, Beowulfo, Don Quijote, cualquier cosa de Roberto Bolaño), y aun así la mayoría de los editores estadounidenses e ingleses resisten la idea misma de la traducción y mantienen con persistencia la línea en contra de la presencia de demasiadas traducciones en sus catálogos.

La traducción no es un traslado AUTORES, TRADUCTORES Y LECTORES HOY I 63 de significado de un idioma a otro, escribe Pevear, sino un diálogo entre dos idiomas. Soy una historiadora indiferente y peor teórica, en especial cuando se trata de estudios formales y teóricos sobre literatura y traducción, pero en ocasiones, cuando contemplo la sospecha y la resistencia del establishment editorial y sus satélites reseñadores hacia la traducción, me pregunto si junto a una falta de vocabulario crítico, la dificultad puede surgir, al menos en parte, de resabios no siempre útiles de una época anterior.

A lo largo de los años ha hablado a INTRODUCCiÓN I 31 menudo de Faulkner como su autor de lengua inglesa favorito, tema de una larga conversación entre el colombiano y el ex presidente Bill Clinton (que había sostenido que Cien años de soledad era la novela mayor de los últimos cincuenta años y la consideraba su obra narrativa favorita) en una cena en la casa de William Styron en Martha's Vineyard en el verano de 1995. Carlos Fuentes también estaba presente, y cuando dijo que su libro favorito era Absalom, Absalom, Clinton se puso de pie y recitó de memoria parte del monólogo de Benjy de El sonido y la furia.

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All Our Yesterdays by Natalia Ginzburg


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