By Sascha Pohlmann
Against the Grain: interpreting Pynchon's Counternarratives is the 1st publication that significantly addresses Thomas Pynchon's novel Against the Day, released in 2006. the 19 essays accumulated during this quantity hire a wide number of ways to this huge novel and in addition take it as a chance to reevaluate Pynchon's prior works, interpreting Against the Day in terms of V., The Crying of Lot 49, Gravity's Rainbow, Vineland, Mason & Dixon, and Pynchon's brief tales and essays. The authors-younger in addition to proven students from 11 countries-address those works in regards to problems with modernism and postmodernism, politics, pop culture, suggestions of house and time, visuality, sexuality, identification, media and communique, philosophy, faith, American and worldwide (literary) heritage, physics, arithmetic, economics, and plenty of extra. Their insights are as profound as they're diversified, and all supply clean perspectives on Pynchon's fiction that might be priceless, interesting and wonderful for researchers and fanatics alike
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Additional resources for Against the grain : reading Pynchon's counternarratives
While there is no lack of mysteries, the text itself is less mysterious, therefore less “difficult” than its predecessors—a test less for the reader’s hermeneutic ingenuity than for her willingness to follow the text’s spatial shifts and time leaps, its discussion of mathematical theories and scientific speculations, its long string of episodes of adventure whose length and sequence, apart from being loosely determined by chronology, seem arbitrary. In contrast to Gravity’s Rainbow, where the Rocket is not only the incarnation of a technological Divine but also generates a network of metaphorical (inter)relations, this novel’s symbolic equivalents (the sublime physics and metaphysics of Light and of the newly discovered power of electricity) are comparatively diffuse and lack the integrative potential of the Rocket or the structural focus provided by The Tristero in The Crying of Lot 49 or the letter V in V.
Boston: Little, Brown and Company, 1976. 161-96. Pynchon, Thomas. Against the Day. New York: Penguin, 2006. —. Blurb. Against the Day. 2006. Pynchonwiki 7 Feb. 2008. php? title=Against_the_Day_description>. —. Gravity’s Rainbow. New York: Viking, 1973. —. Inherent Vice. New York: Penguin, 2009. —. Mason & Dixon. , 1997. —. The Crying of Lot 49. Philadelphia: Lippincott, 1966. —. V. Philadelphia: Lippincott, 1961. —. Vineland. , 1990. Smith, Anthony D. ” Eley and Suny 106-30. Setting Sail Against the Day: The Narrative World of Thomas Pynchon1 Heinz Ickstadt Abstract: The essay discussses the dominant themes, figures, semantic oppositions as well as the overall structural design of Pynchon's Against the Day comparing them with those of his earlier work.
This is what distinguishes them from the preceding fictions, which cut through the “moment and its possibilities” and dwelt on the puzzle of its hidden meaning: the ambiguity of what was still to come. Both Mason & Dixon and Against the Day lack the intensity as much as the semantic density of the earlier novels, that sense of being immediately involved (intellectually and pragmatically) in the confusions but also in the shaping of a still unfolding moment of collective experience. Instead, they playfully and nostalgically indulge in imagining what once was richly, even chaotically, possible (or at least imaginable), yet has since been discarded by forces powerful enough to define what we have come to accept as a linear path from past to present.
Against the grain : reading Pynchon's counternarratives by Sascha Pohlmann