By Richard Gray
- A short heritage of yank Literature deals scholars and common readers a concise and updated background of the entire variety of yank writing from its origins until eventually the current day.
- Represents the one updated concise background of yank literature
- Covers fiction, poetry, drama and non-fiction, in addition to having a look at other kinds of literature together with folktales, spirituals, the detective tale, the mystery and technological know-how fiction
- Considers how our figuring out of yank literature has replaced over the last twenty years
- Offers scholars an abridged model of History of yank Literature, a e-book broadly thought of the normal survey text
- Provides a useful advent to the topic for college kids of yank literature, American reviews and all these attracted to the literature and tradition of the United States
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Additional resources for A Brief History of American Literature
Letters is an epistolary narrative; it is a travel and philosophical journal; and it also inaugurates that peculiarly American habit of mixing fiction and thinly disguised autobiography. James shares many of the experiences and opinions of Crevecoeur but, unlike his creator, he is a simple, relatively uneducated man and, of course, a Quaker – which Crevecoeur most certainly was not. At the heart of Letters are three animating beliefs that Crevecoeur shared with many of his contemporaries, and that were to shape subsequent American thought and writing.
Like the good scientist, Franklin the narrator looks at the events of Franklin the autobiographical character’s life and tries to draw inferences from them. Or he tries to see how his own moral hypotheses worked, when he put them to the test of action. This means that he is more than just remembering in his Autobiography. He is also demonstrating those truths, about human nature, human society, and God which, as he sees it, should be acknowledged by all reasonable men. Just how much Franklin presents his story as a prototypical American one is measured in the first section of the Autobiography.
I offer here the history of neither a saint, a hero, nor a tyrant,” Equiano announces. ” As that remark suggests, Equiano follows the tradition of spiritual autobiography derived from St. Augustine and John Bunyan and used by American Puritans and Quakers, but he adds to it the new dimension of social protest. He also begins by painting an idyllic portrait of life in Africa. Then, as Equiano tells it, came the fall. At the age of eleven, he was seized from his family and sold into slavery. Taken to the African coast, he was terrified by the sight of white people.
A Brief History of American Literature by Richard Gray